STANISLAVISK'S METHOD ACTING-PART 5
![Image](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIUL4OGg4xyukuQE1OgJTdA8c4-3MY4_2N-HdWJzFpmGWujjyrhWEdC2lbPMjN4rLLcfjVEHzrUPCxXASG0YN_mghyphenhyphencOiqFMSxxu6cQBLRhQ3vKEOsj1BK3qq3vyMvcQuglXgJb6sMtM_J/w290-h376/pexels-tima-miroshnichenko-5711001.jpg)
Congratulations to all of you who have reached here, so far we have covered many aspects of method acting techniques. Today here's something new that I want to introduce to you, to which many of you might be aware of i.e is IMPROVISATION , not much importance is given to improvisation technique. So lets begin this journey, it is quite admirable that true improvisations take place on rehearsals. At time situations might prevail that a relentless practice in theatre workshop , help an actor establish a scene or so! But when it comes to commercialized theatre plays, wherein everything is so restricted to a certain entity, it will be great acknowledgement given by the director to improvise to the actor. Photo by Tima Miroshnichenko from Pexels Improvisations includes familiarization with the character, knowing different shade...